Tuesday, February 18, 2020

Crawfish Boil 2020: Band Bios

          So the Crawfish Boil is obviously about the crawfish. But it's also about the music. And if you know anything about us, it's that we take our music very seriously. So for this year's Boil we're proud to welcome an old friend, Benny Turner, a returning band, Flow Tribe, and a new band the Dapper Dandies! 


            We're proud to welcome back Benny Turner and the Real Blues with Sam Joyner to the 12th Annual DGA Family and Friends Crawfish Boil.   


Benny in action

Benny Turner is a veteran of the New Orleans, Chicago, and Texas blues scenes. His connections to the history of the blues in America run deep. His brother was legendary blues artist and Rock and Roll Hall of Famer, Freddie King. Born in Gilmer, Texas, Benny and Freddie learned guitar from their mother and uncles. Freddie gravitated towards the guitar and performing while Benny enjoyed music and spending time with the brother he admired. The family moved to Chicago in the early 1950s and as Freddie’s fame and prowess with the guitar grew, his brother soon joined his band as a bass player. By the late 1950s, Benny had toured across the United States with R&B singer Dee Clark at venues like the Apollo Theater in New York City, the Uptown Theater in Philadelphia, the Howard Theater in Washington D.C., and the Regal Theater in Chicago. Benny also enjoyed a stint in the Soul Stirrers, a touring gospel music band, and introduced the bass to gospel music, laying the groundwork for modern gospel music which is heavily reliant on the bass. 

By the late 1960s, Benny returned to Chicago, playing in local bands and recording songs for the Leaner Brothers’ One-Derful and M-Pac! labels. He soon rejoined his brother, Freddie King, on the touring circuit. Alongside his brother, Benny performed with artists like Dionne Warwick, Memphis Slim, BB King, Solomon Burke, Eric Clapton, and Grand Funk Railroad. In December 1976, Freddie King passed away at the age of 42. Having lost his best friend, brother, and band mate all at the same time left Benny unable to perform. After two years away from music, famed Chicago blues artist Mighty Joe Young convinced Benny to join him on stage. Over the next few years, the two men travelled and performed together as Benny rejoined the blues scene.  




By the 1980s, Mighty Joe Young had retired from touring and Benny took another big step: moving to New Orleans and becoming the bass player and band leader for blues singer Marva Wright. Wright, known locally as the “Blues Queen of New Orleans,” toured all over the world and was a staple of the French Quarter music scene. After Wright died, Benny struck out on his own. In 2011, he released, “A Tribute to my Brother Freddie King” a collection of some of his brother’s most famous songs. In 2014, he released “Journey” playing homage to his history with the blues. His latest album, “When She’s Gone” mixes some of Benny’s original songs with old blues classics. He dedicated the album to his mother, Ella, the woman responsible for his and Freddie’s love of music.


            So come see this great blues artist perform at the crawfish boil. In the meantime, go to Benny’s website, read about his life, listen to some of his music, and buy an album or two in support of this legendary blues artist.

Flow Tribe 


            The band formed in 2004 from a group of friends from Brother Martin High School. Penot's back porch served as their primary rehearsal and hangout space. Like most high school musical ventures, the band broke up once all the members went off to college. In 2006, Hurricane Katrina brought all six men back home. They devoted themselves to rebuilding efforts, but also sought to contribute to the city's rebuilding in their own way – through their shared love of music. Early recalled that "We thought about our love of the city's music, the history, the culture. We were just a bunch of 18 and 19-year old kids, rebuilding our parents' houses during the summer... and we knew the only way we could contribute on a bigger level was with music."
            The band soon reformed and hit the road. They played shows for music lovers and displaced Katrina survivors across the South. Their musical style, a blend of different New Orleans musical genres, found a wide audience amongst exiled New Orleanians and people from different parts of the country.


            Since 2006, Flow Tribe have been a fixture in the New Orleans music scene while also touring across the country. They've appeared on The Real World: New Orleans in 2010. They've played at the Voodoo Music Experience, appeared on the main stage at Jazz Fest, and at just about every other major festival in New Orleans. They describe their music as "backbone crackin’ music”—a "gumbo" of funk, rhythm-and-blues, rock, bounce, hip-hop and zydeco. Flow Tribe cite Louis Armstrong, Louis Prima and Kermit Ruffins, R&B and funk classics of the 1950s, ’60s and ’70s, and hip-hop hits released by Cash Money Records in the 1990s and 2000s, as some of their influences. 
            They've recorded four albums: Pain Killer (2012), At Capacity Live: Live at Tipitina’s (2013), Alligator White (2014), and Boss (2017). If you want more information or examples of the Flow Tribe's music check out their website here. And make sure you come see them at this year's Crawfish boil! 

Dapper Dandies 

            Signed to Total Riot Records, the Dapper Dandies are part of a new generation of musicians bringing back the sounds of traditional New Orleans jazz. One review of their album Between St. Roch & the Channel describes the Dapper Dandies sound as "slow and boozy, yet lighthearted and romantic." The reviewer also writes, "The bass sax by Adrian Seward sounds nearly human; it’s throaty and soulfully wailing its sentiments. Jason Cash’s clarinet has a major place in the opening of “I’ve Found a New Baby” as he plays a winding tune before Aaron Lind on the guitar plays a jaunty backing to Fourmy’s melody. During the bridge, Sean Dawnson’s trumpet growls above everything else. Dawson’s horn has just a bit of a tinny echo throughout the album, which adds a nostalgic layer, as though you heard this on an original record." 
            

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