Over the
past few years, we’ve focused a lot of attention on previewing and reviewing
movies. Well, this week we wanted to a periodic feature where we’ll try to
recommend some television viewing options. After all, most of the time we don’t
want to leave our houses, buy tickets to a movie, and then spend time sitting
in total darkness with a bunch of strangers. Why do that when you can stay home
and binge something on Netflix or Hulu and never have to change out of PJs? We’re
going to limit ourselves to shows that are still on the air.
Comedy
Unbreakable Kimmy Schmidt: This Netflix show, ordered and then abandoned by NBC, is a finely tuned joke delivery system. The show revolves around the life of Kimmy, who after being trapped in a bunker for 15 years, is rescued and moves to New York City. Somehow the creative team behind Unbreakable (Tina Fey and Robert Carlock of 30 Rock fame) have mined this dark backstory for three seasons of hilarity.
Brooklyn Nine-Nine: Airing
on Fox, Brooklyn Nine-Nine is the
story of a group of detectives in a Brooklyn precinct. The 9-9 features a hilarious turn by Andre Braugher as the precinct’s
notoriously literal captain. Braugher, who cut his teeth playing Detective Frank
Pembleton on Homicide in the 90s, shows that he’s just as capable at comedy as he is at drama. His
line-deliveries are a wonder to behold.
The Good Place: This
show, from Michael Schur (co-creator of Parks
and Recreation), takes a rather high concept premise and runs with it.
Kristin Bell plays a woman who is accidently sent to the “Good Place” after she
dies. Only she’s not supposed to be there. Ted Danson, as a mid-level afterlife
manager, reminds us why he might be the best sitcom actor ever.
Drama
The Crown: Normally we wouldn’t recommend a period drama about British royalty. After all Downton Abbey was insufferable, asking its audience to pine for the rigid class structures of early 20th century England. The Crown avoids these pitfalls by revealing the people behind the facades of England’s royal family. The young Queen Elizabeth’s problems are relatable. Her husband is unhappy (and a jerk), her father died too soon, and at work she has to deal with lots of men trying to mansplain everything to her.
The Americans: The
best family drama on television is also TV’s best spy show. The Americans follows the story of two
deep-cover Soviet agents in Reagan’s America. They navigate multiple operations
and identities while raising two American born children who are ignorant of
their parents’ true occupations. The
Americans focuses as much on its characters as its premise. There
are fights about marital responsibilities and one child’s turn towards
religion. Throw in some kickass 80s music and you’ve got a show worth watching.
Fargo: Somehow
writer Noah Hawley captured the atmosphere and the mood of the Coen Brothers
movie Fargo and translated it into a
TV show. Now in its third season, Fargo changes
settings and characters every year, but manages to portray the under-appreciated
everyman cops, inept criminals, and pathetically banal dreams that inhabit the
Coen Brothers universe in new and interesting ways.
Reality
Reality
Top Chef: Even
though it just came off a disappointing 14th season that turned into
a weaker version of All-Stars, Top Chef
remains the premier reality competition cooking show on TV. The contestant crop
is generally strong, consisting of up and coming chefs. We here at DGA have had
the chance to eat at the restaurants contestants like Bryan Voltaggio, Isaac
Toups, and Sarah Grueneberg who have appeared over the years and they’re not
kidding around.
RuPaul’s Drag Race: Every
reality competition show has the same format. People in some field of work
(cooking, fashion, tattoos, art design, whatever) compete in a serious of
challenges until someone wins. Oftentimes these shows struggle in providing
drama or compelling characters. After all, how interesting is it to watch
someone sew clothes? RuPaul’s Drag Race doesn’t
suffer from any of these problems. The contestants are drag queens and the
challenges involve them performing in drag. There’s no need to manufacture
drama, all you have to do is turn the camera on. It’s the rest of us who
benefit.
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